The most interesting part of cooking is the way abstraction becomes concrete. One starts with a jumble of ingredients and perhaps half an idea, the idea based on one’s instincts born from experience. That experience may be first, second, or even third-hand; it may have come from one’s own previous cooking attempts, whether successful or less so, or it might have derived from a witnessing of a dish being created, or the discovery of a recipe in a forgotten magazine. The experience may have been passed down from another in the form of tips, or other half-formed ideas and inspirations. Whatever, experience comes as the instillation of eye-drops: blink and you’ll miss it.
So, with eyes opened, the process begins. And it begins with uncertainty. The what to do and maybe the how too. We have the raw materials and yet there is the lingering feeling that, despite whatever experience we bring to the chopping board, we have little idea how the dish will turn out. It is at this point a good idea to do one crucial thing: abandon all expectations. The glossy pictures in cookbooks are an ideal, but only that. Written recipes, too, are not infallible. There are many variables in the kitchen and one will do well to become familiar with the immediate environment and the tools therein. Whatever we end up producing will only be an approximation of that image or that set of instructions. Moreover that projection of an idea that became that picture is someone else’s ideal.
The uncertainty, the ‘not-knowing,’ is the game. When the lid goes on top of a pan filled with various textures and flavours and the flame adjusted to simmer mode one is left in the dark to some extent. What is happening under there? And the temptation of course is to tinker, to remove the lid and stir, stir relentlessly, disturbing the alchemy. A wiser man than me once said that trying to fight insecurity was like taking a flat-iron to the waves to smooth them down; doing that, you’re only going to rough them up some more. I’m learning to let the magic happen.
Today I took two apples. I mostly knew what I wanted to make, a kind of spicy apple sauce to go with a bowl of morning porridge. Cooking apples work best for this, because the flesh has that mealy quality which gives the final result a granita-like texture. However I didn’t have any, only two eaters I purloined from a hotel breakfast buffet, for this purpose. I chopped both finely and added to the pan: the juice and zest of a small orange; sprinkle of five-spice; two sticks of cinnamon; the grating of a toe-sized knob of ginger; star anise; a glass of water; sliver of butter; trickle of Chinese vinegar. Even when I make sweet things I want notes of sharpness, sourness or bitterness. On other occasions I have included rum, whisky, apple and/or cider vinegar, a lump of sugar and lemon peel. This is a recipe which changes constantly, depending what I have to hand and what comes to mind.
With a lid on I left it for about half an hour to reduce down and didn’t interfere at all. I decided it was ready once the entire apartment was suffused in a warm spicy fug. A delicious spicy toffee-like sauce had pooled at the pan bottom beneath the fruit, which had softened to the texture of mush yet still retained its form. I put it in a bowl and covered, to put it in the fridge for when I might need it, which, in the cold winter here, is often.